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PR & media

Write a short pitch to a relevant journalist

A pitch earns attention by connecting one concrete story to a journalist's actual coverage and making the next step easy.

Hands typing on a laptop at a desk

A short pitch is not a compressed company biography. It is an explanation of why a particular development could matter to a particular readership. If the first paragraph could go unchanged to a technology reporter, a food editor and a local radio producer, the angle is probably still too broad.

Use a subject line that names the development, place or question. ‘Interview offer: repairing household appliances in Northbridge’ is an illustrative description, not a proven winning formula. Avoid artificial urgency, misleading reply prefixes or praise unrelated to the story. The recipient should be able to understand the proposal before opening a large attachment.

Build the connection in plain language

In a hypothetical pitch, you might write: ‘Your recent coverage of repair services looked at the difficulty of finding local appointments. A new workshop in Northbridge begins Saturday sessions next month. Its manager can explain the equipment it accepts and the jobs it cannot undertake.’ The connection is the reporting subject, not a generic compliment about enjoying the journalist's work.

Follow with the strongest verifiable detail and the material available: an interview, an accessible demonstration, a documented figure or a named independent source who has agreed to be contacted. Do not offer someone else's participation without checking. If the evidence is preliminary, describe it that way rather than hoping the interview will fill the gap.

Offer a manageable next step

Ask whether the angle is relevant or whether the journalist would like the supporting information. You do not need several competing requests to visit a website, join a webinar, book a call and download a report. Give the recipient a clear route to the evidence and include a contact who will actually be available.

Keep essential facts in the email so that the story does not depend on opening a presentation. Link to larger files with understandable labels and check that access works outside your organisation. Mention meaningful dates and time zones, but do not invent a deadline to force a response.

Before sending, compare the pitch with the journalist's latest relevant work. A changed beat, a recently published similar story or an unsuitable geographic focus may make the proposal unnecessary. A concise message can still be irrelevant; brevity is useful only after the editorial connection is sound. If there is no response, treat silence as a lack of commitment rather than an invitation to begin an automated pursuit.